Liquid States of Mind
April 26th, 2006 Fred McVittie
William James (1892) famously uses the term ‘Stream of Consciousness’ to describe the unbroken succession of images which seems to characterize the flowing, river-like experience of wakeful awareness. He also writes of the ‘oceanic’ feelings associated with religious experience (1902), an entailment picked up by Freud (1973) and Clement (1994) and which also figures in first-person accounts of certain varieties of peak experience; a feeling of unbounded unity with the wider cosmos and an apparent dissolution of the boundary between self and world . These two images, the stream and the ocean, can be seen as complementary features in an ontology, or rather a ‘hydrography’ of consciousness; at one extreme the subject is defined by the path of their individual stream; delineated, bounded, and temporal. At the other extreme the subject dissolves into a larger substrate, an all-encompassing, atemporal ocean. These two terms for particular radically different states of consciousness are entailments of an extended metaphor in which the operation of the mind is compared to the behavior of a liquid. The metaphor does not just allow for these two entailments, but structures a range of discourses related to consciousness from the fields of psychology, technology and phenomenology. These include Csikszentmihalyi’s notion of flow (1990; 1997) immersion (Grau 2004), thought ripples (Greenfield 2001), and absorption (Gurwitsch 1979). This deployment of a liquid metaphor in talking of consciousness has a long history and extensive current (sic.) use. Water, particularly, features significantly in many of the world’s religions and in mythological texts as a medium for describing cognitive states or processes which would otherwise be inconceivable, the most familiar of these probably being the Greek legends surrounding Lethe and Mnemosyne, the rivers of forgetting and remembering. Drawing on the Conceptual Metaphor Theory of Lakoff and Johnson (1999) and others, this metaphor can be shown not to be arbitrary and contingent, but as providing a consistent, coherent structure whereby the abstract notion of consciousness is made conceivable and articulate.
Clement, C. (1994). Syncope: The Philosophy of Rapture. Minneapolis, University of Minnesota Press.
Csikszentmihalyi, M. (1990). Flow: the psychology of optimal experience. New York, Harper & Row.
Csikszentmihalyi, M. (1997). Creativity: flow and the psychology of discovery and invention. New York, HarperPerennial.
Freud, S. (1989). Formulations Regarding The Two Principles in Mental Functioning. The Freud Reader. P. Gay. New York, Norton: 301-306.
Grau, O. (2003). Virtual art: from illusion to immersion. Cambridge, Mass., MIT Press.
Greenfield, S. A. and T. F. T. Collins (2005). A Neuroscientific Approach to Consciousness. Amsterdam, Elsevier B.V.
Gurwitsch, A. (1979). Human Encounters in the Social World. Pittsburgh, PA, Duquesne University Press.
James, W. (1981). The Principles of Psychology. Cambridge, MA, Harvard University Press.
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